A presentation of music and language within an integrative, embodied perspective of brain mechanisms for action, emotion, and social coordination. This book explores the relationships between language, music, and the brain by pursuing four key themes and the crosstalk among them: song and dance as a bridge between music and language; multiple levels of structure from brain to behavior to culture; the semantics of internal and external worlds and the role of emotion; and the evolution and development of language. The book offers specially commissioned expositions of current research accessible both to experts across disciplines and to non-experts. These chapters provide the background for reports by groups of specialists that chart current controversies and future directions of research on each theme. The book looks beyond mere auditory experience, probing the embodiment that links speech to gesture and music to dance. The study of the brains of monkeys and songbirds illuminates hypotheses on the evolution of brain mechanisms that support music and language, while the study of infants calibrates the developmental timetable of their capacities. The result is a unique book that will interest any reader seeking to learn more about language or music and will appeal especially to readers intrigued by the relationships of language and music with each other and with the brain. Contributors Francisco Aboitiz, Michael A. Arbib, Annabel J. Cohen, Ian Cross, Peter Ford Dominey, W. Tecumseh Fitch, Leonardo Fogassi, Jonathan Fritz, Thomas Fritz, Peter Hagoort, John Halle, Henkjan Honing, Atsushi Iriki, Petr Janata, Erich Jarvis, Stefan Koelsch, Gina Kuperberg, D. Robert Ladd, Fred Lerdahl, Stephen C. Levinson, Jerome Lewis, Katja Liebal, Jonatas Manzolli, Bjorn Merker, Lawrence M. Parsons, Aniruddh D. Patel, Isabelle Peretz, David Poeppel, Josef P. Rauschecker, Nikki Rickard, Klaus Scherer, Gottfried Schlaug, Uwe Seifert, Mark Steedman, Dietrich Stout, Francesca Stregapede, Sharon Thompson-Schill, Laurel Trainor, Sandra E. Trehub, Paul Verschure

This volume celebrates the significant resurgence of interest in the anthropology of music and dance in recent decades. Traversing a range of fascinating topics,from the reassessment of historical figures such as Katherine Dunham and John Blacking, to the contemporary salience of sonic conflict between Islamic Uyghur and the Han Chinese, the essays within Music, Dance, Anthropology make a strong argument for the continued importance of the work of ethnomusicologists and ethnochoreologists, and of their ongoing recourse to anthropological theories and practices. Case studies are offered from areas as diverse as Central Africa,Ireland, Greece, Uganda and Central Asia, and illuminate core anthropological concepts such as the nature of embodied knowledge, the role of citizenship, ritual practices, and the construction of individual and group identities via a range of ethnographic methodologies. These include the consideration of soundscapes, the use of ethnographic filmmaking, and a reflection on the importance of close cultural engagement over many years. Taken together these contributions show the study of music and dance practices to be essential to any rounded study of social activity, in whatever context it is found. For as this volume consistently demonstrates, the performance of music and dance is always about more than just the performance of music and dance. Contributors: John Baily; Peter Cooke; Ann R. David; Catherine E. Foley; Andree Grau; Rachel Harris; Maria Koutsouba; Jerome Lewis; Barley Norton; Carole Pegg; Martin Stokes.

This book compiles research from leading experts in the social, behavioral, and cultural dimensions of sustainability, as well as local and global understandings of the concept, and on lived practices around the world. It contains studies focusing on ways of living, acting, and thinking which claim to favor the local and global ecological systems of which we are a part, and on which we depend for survival. The concept of sustainability as a product of concern about global environmental degradation, rising social inequalities, and dispossession is presented as a key concept. The contributors explore the opportunities to engage with questions of sustainability and to redefine the concept of sustainability in anthropological terms.

This book compiles research from leading experts in the social, behavioral, and cultural dimensions of sustainability, as well as local and global understandings of the concept, and on lived practices around the world. It contains studies focusing on ways of living, acting, and thinking which claim to favor the local and global ecological systems of which we are a part, and on which we depend for survival. The concept of sustainability as a product of concern about global environmental degradation, rising social inequalities, and dispossession is presented as a key concept. The contributors explore the opportunities to engage with questions of sustainability and to redefine the concept of sustainability in anthropological terms.

Short Stories: The Timeless Collection features 20 well-loved and unabridged tales from the best-loved authors in the history of English literature, including the deliciously sardonic Saki and a brilliant semi-autobiographical tale by Charles Dickens, inspired by the railway. An array of well-known readers including Nigel Hawthorne, Martin Jarvis, Brian Cox, Stephen Fry and Hugh Laurie. LISTINGS: The Windmill as I First Knew It by Alphonse Daudet, Boil Some Water Lots of It by F. Scott Fitzgerald, The Disappearance of Crispina Umberleigh by Saki, Idle Thoughts on Babies by Jerome K. Jerome, The Schartz-Metterklume Method by Saki, A Photographer's Day Out by Lewis Carroll, Gentlemen and Players by E. W. Hornung, Mrs Amworth by E. F. Benson, Timber by John Galsworthy, Into the Sun by Robert Duncan Milne, No 1 Branch Line The Signalman by Charles Dickens, The Squaw by Bram Stoker, The Loathly Opposite by John Buchan, The Masque of the Red Death by Edgar Allan Poe, The Mezzotint by M. R. James, Angela by W. S. Gilbert, The Barrister's Story by Sapper, Jeff Peters as a Personal Magnet by O. Henry, Oh Whistle & I'll Come to You My Lad by M. R. James, The Celebrated Jumping Frog of Calaveras County by Mark Twain.

This book offers an exciting new perspective on the origins of language. Language is conceptualized as a collective invention, on the model of writing or the wheel, and the book places social and cultural dynamics at the centre of its evolution: language emerged and further developed in human communities already suffused with meaning and communication, mimesis, ritual, song and dance, alloparenting, new divisions of labour and revolutionary changes in social relations. The book thus challenges assumptions about the causal relations between genes, capacities, social communication and innovation: the biological capacities are taken to evolve incrementally on the basis of cognitive plasticity, in a process that recruits previous adaptations and fine-tunes them to serve novel communicative ends. Topics include the ability brought about by language to tell lies, that must have confronted our ancestors with new problems of public trust; the dynamics of social-cognitive co-evolution; the role of gesture and mimesis in linguistic communication; studies of how monkeys and apes express their feelings or thoughts; play, laughter, dance, song, ritual and other social displays among extant hunter-gatherers; the social nature of language acquisition and innovation; normativity and the emergence of linguistic norms; the interaction of language and emotions; and novel perspectives on the time-frame for language evolution. The contributors are leading international scholars from linguistics, anthropology, palaeontology, primatology, psychology, evolutionary biology, artificial intelligence, archaeology, and cognitive science.

This book offers an exciting new perspective on the origins of language. Language is conceptualized as a collective invention, on the model of writing or the wheel, and the book places social and cultural dynamics at the centre of its evolution: language emerged and further developed in human communities already suffused with meaning and communication, mimesis, ritual, song and dance, alloparenting, new divisions of labour and revolutionary changes in social relations. The book thus challenges assumptions about the causal relations between genes, capacities, social communication and innovation: the biological capacities are taken to evolve incrementally on the basis of cognitive plasticity, in a process that recruits previous adaptations and fine-tunes them to serve novel communicative ends. Topics include the ability brought about by language to tell lies, that must have confronted our ancestors with new problems of public trust; the dynamics of social-cognitive co-evolution; the role of gesture and mimesis in linguistic communication; studies of how monkeys and apes express their feelings or thoughts; play, laughter, dance, song, ritual and other social displays among extant hunter-gatherers; the social nature of language acquisition and innovation; normativity and the emergence of linguistic norms; the interaction of language and emotions; and novel perspectives on the time-frame for language evolution. The contributors are leading international scholars from linguistics, anthropology, palaeontology, primatology, psychology, evolutionary biology, artificial intelligence, archaeology, and cognitive science.